Faraway settings : Spanish and Chinese theaters of the 16th and 17th centuries /
Wedi'i Gadw mewn:
| Awduron Eraill: | , |
|---|---|
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Madrid : Frankfurt am Main :
Iberoamericana ; Vervuert,
2019.
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| Pynciau: | |
| Mynediad Ar-lein: | Digitalia Hispánica |
| Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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Tabl Cynhwysion:
- Jongleuresque origins / Bruce R. Burningham
- Spain learning about Chinese Theater (Miguel de Luarca's Verdadera relación de la grandeza del Reino de China) / Jorge Abril Sánchez
- Painting emotions and rames (Tang Xianzu's Peony pavilion and Lope de Vega's La quinta de Florencia) / Frederick A. de Armas
- Global climate and emotions / Juan Pablo Gil-Osle
- Emotion, object and space (Tang Xianzu's Peony pavilion and Pedro Calderón de la Barca's La vida es sueño) / Carmla V. Mattza Su
- Picaresque theater (Miguel de Cervantes' Pedro de Urdemalas, directed by Alejandro González Puche and Ma Zhenghong) / Alejandro González Puche
- Theatrical characters (Pedro Calderón de la Barca's El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong) / Ma Zhenghong
- Audience reception (Pedro Calderón de la Barca's El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong) / María José Domínguez
- From novel and theater (Pedro Calderón de la Barca, La vida es sueño, directed by Chen Kaisian) / Matthew Ancell
- Christian sacred plays and Nō style / Javier Rubiera
- Depicting Japan : Lope de Vega and Los primeros mártires del Japón / Claudia Mesa Higuera.