Faraway settings : Spanish and Chinese theaters of the 16th and 17th centuries /
Furkejuvvon:
| Eará dahkkit: | , |
|---|---|
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Madrid : Frankfurt am Main :
Iberoamericana ; Vervuert,
2019.
|
| Fáttát: | |
| Liŋkkat: | Digitalia Hispánica |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Jongleuresque origins / Bruce R. Burningham
- Spain learning about Chinese Theater (Miguel de Luarca's Verdadera relación de la grandeza del Reino de China) / Jorge Abril Sánchez
- Painting emotions and rames (Tang Xianzu's Peony pavilion and Lope de Vega's La quinta de Florencia) / Frederick A. de Armas
- Global climate and emotions / Juan Pablo Gil-Osle
- Emotion, object and space (Tang Xianzu's Peony pavilion and Pedro Calderón de la Barca's La vida es sueño) / Carmla V. Mattza Su
- Picaresque theater (Miguel de Cervantes' Pedro de Urdemalas, directed by Alejandro González Puche and Ma Zhenghong) / Alejandro González Puche
- Theatrical characters (Pedro Calderón de la Barca's El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong) / Ma Zhenghong
- Audience reception (Pedro Calderón de la Barca's El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong) / María José Domínguez
- From novel and theater (Pedro Calderón de la Barca, La vida es sueño, directed by Chen Kaisian) / Matthew Ancell
- Christian sacred plays and Nō style / Javier Rubiera
- Depicting Japan : Lope de Vega and Los primeros mártires del Japón / Claudia Mesa Higuera.