Torthaí cuardaigh - Pope Alexander III~

Translation and gender : discourse strategies to shape gender/

Clár na nÁbhar: “…Williams Camus, Cristina Gómez Castro, Alexandra Assis Rosa & Carmen Camus Camus -- Gender and translation studies : a bibliometric approach / Javier Franco Aixelá -- Muted English novelists : researching women, translation and censorship in Spain / Gora Zaragoza Ninet -- Transfeminine identity and HIV/AIDS in audiovisual translation Dallas Buyers Club and its Italian subtitled versions / Margherita Dore & Ilaria Zarrelli -- Memory and self-narration in Sarah Polley's away from her / Andrea Ruthven -- A moderate invective against women : "Epistle II : To a Lady (of the characters of women)" by Alexander Pope and its translation into Spanish / Ángeles García Calderón -- Blind love at stake : Hernández Catá's (Re-)creation of a hero / Paloma Tejada Caller -- Using corpus tools to analyse the rendering of Joseph Conrad's women in heart of darkness into four Spanish translations / Paloma Pizarro Seijas.…”
Digitalia Hispánica

Translation and gender : discourse strategies to shape gender /

Clár na nÁbhar: “…Williams Camus, Cristina Gómez Castro, Alexandra Assis Rosa & Carmen Camus Camus -- Gender and translation studies : a bibliometric approach / Javier Franco Aixelá -- Muted English novelists : researching women, translation and censorship in Spain / Gora Zaragoza Ninet -- Transfeminine identity and HIV/AIDS in audiovisual translation Dallas Buyers Club and its Italian subtitled versions / Margherita Dore & Ilaria Zarrelli -- Memory and self-narration in Sarah Polley's away from her / Andrea Ruthven -- A moderate invective against women : "Epistle II : To a Lady (of the characters of women)" by Alexander Pope and its translation into Spanish / Ángeles García Calderón -- Blind love at stake : Hernández Catá's (Re-)creation of a hero / Paloma Tejada Caller -- Using corpus tools to analyse the rendering of Joseph Conrad's women in heart of darkness into four Spanish translations / Paloma Pizarro Seijas.…”
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