Reductionism in drama and the theatre the case of Samuel Beckett /
Gorde:
| Egile nagusia: | |
|---|---|
| Formatua: | Baliabide elektronikoa eBook |
| Hizkuntza: | ingelesa |
| Argitaratua: |
Potomac, Md., U.S.A. :
Scripta Humanistica,
1992.
|
| Saila: | Scripta Humanistica (Series) ;
102. Digitalia eBook Collection: Scripta Humanistica |
| Gaiak: | |
| Sarrera elektronikoa: | Digitalia Hispánica |
| Etiketak: |
Etiketa erantsi
Etiketarik gabe, Izan zaitez lehena erregistro honi etiketa jartzen!
|
Aurkibidea:
- Introduction - Part 1: Principles and methods of reductionism
- Reductionism in the natural sciences
- Reductionism in the human sciences
- Critique of reductionism - Part II: Towards an epistemology of drama and the theatre
- The arts and the sciences
- The theatre as practical science
- The theatre and truth
- Analysis in action on a stage of observation
- Processing the product - Part III: Samuel Beckett: less. ever less
- Chronology of Beckett's dramatic works
- Celebration of diminution
- Epistemology of indeterminacy
- Reductions from conventional drama to Godot
- Reductions from Godot to what where
- Reductions from beginning to end
- Draft manuscript reductions
- Directorial reductions
- Reductions to other art forms
- Epistemology of Indeterminacy
- Summary and conclusion.