Reductionism in drama and the theatre the case of Samuel Beckett /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Potomac, Md., U.S.A. :
Scripta Humanistica,
1992.
|
| Ráidu: | Scripta Humanistica (Series) ;
102. Digitalia eBook Collection: Scripta Humanistica |
| Fáttát: | |
| Liŋkkat: | Digitalia Hispánica |
| Fáddágilkorat: |
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Sisdoallologahallan:
- Introduction - Part 1: Principles and methods of reductionism
- Reductionism in the natural sciences
- Reductionism in the human sciences
- Critique of reductionism - Part II: Towards an epistemology of drama and the theatre
- The arts and the sciences
- The theatre as practical science
- The theatre and truth
- Analysis in action on a stage of observation
- Processing the product - Part III: Samuel Beckett: less. ever less
- Chronology of Beckett's dramatic works
- Celebration of diminution
- Epistemology of indeterminacy
- Reductions from conventional drama to Godot
- Reductions from Godot to what where
- Reductions from beginning to end
- Draft manuscript reductions
- Directorial reductions
- Reductions to other art forms
- Epistemology of Indeterminacy
- Summary and conclusion.